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・ Giovanni Giacomo Mattei
・ Giovanni Giacomo Monti
・ Giovanni Giacomo Panciroli
・ Giovanni Giacomo Pandolfi
・ Giovanni Giacomo Penni
・ Giovanni Giacomo Sclafenati
・ Giovanni Giacomo Semenza
・ Giovanni Giambelli
・ Giovanni Giarola
・ Giovanni Giocondo
・ Giovanni Gioia
・ Giovanni Giolitti
・ Giovanni Giorgi
・ Giovanni Giorgi (composer)
・ Giovanni Giorgio
Giovanni Gioseffo dal Sole
・ Giovanni Gioviale
・ Giovanni Giraud
・ Giovanni Girolamo Bonesi
・ Giovanni Girolamo Frezza
・ Giovanni Girolamo Kapsperger
・ Giovanni Girolamo Saccheri
・ Giovanni Giuda Giona Battista
・ Giovanni Giudici
・ Giovanni Giuriati
・ Giovanni Giuseppe Bianconi
・ Giovanni Giuseppe Cosattini
・ Giovanni Giustiniani
・ Giovanni Gonelli
・ Giovanni Gonzaga


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Giovanni Gioseffo dal Sole : ウィキペディア英語版
Giovanni Gioseffo dal Sole
Giovanni Gioseffo dal Sole (10 December 1654 – 22 July 1719) was an Italian painter and engraver from Bologna, active in the late-Baroque period.
==Biography==
His father, Giovanni Antonio Maria, was a landscape painter who trained with Francesco Albani. Giovanni Gioseffo first apprenticed with Domenico Maria Canuti, and then in 1672; he entered the Roman studio of Lorenzo Pasinelli. He painted frescoes in the cupola of ''Santa Maria dei Poveri'' in Bologna, and an altarpiece of the ''Trinity'' (1700) for the ''chiesa del Suffragio'' in Imola. He is said to have collaborated with Giuseppe Maria Crespi.
He was one of the painters who contributed to painting mythologic scenes for the renowned ''Aenid Gallery'' of the Palazzo Buonaccorsi in Macerata; a decoration that employed many of the premier artists of his day. Two paintings, ''Diana with cupids'' and ''Ecstasy of the Magdalen'' are found in the ''Palazzo Spalletti-Trivelli'' in Bologna. There is a ''Salome with the St John the Baptist'' in the Fitzwilliam Museum attributed to Giovanni Gioseffo.He also frescoed the Palazzo Mansi in Lucca with a ''Judgement of Paris''.
Among his many pupils were Felice Torelli, Lucia Casalini (Torelli's wife), Antonio Beduzzi, Francesco Monti (Bologna), Bastiano Galleoti,〔Orlandi, page 85.〕 Gioseffo Vitali, Donato Creti, Giovanni Battista Grati (Batistino Grati), of Bologna〔Orlandi, page 86.〕 Gioseffo〔Orlandi, page 199.〕 and Cesare Mazzoni, Carlo Salis,〔Orlandi, page 106.〕 Francesco Pavona, Dionigi Donnini (Girolamo Donini),〔Orlandi, page 258.〕 Francesco Comi (''il Fornaretto''), and Jacopo Saeta.〔(Della origine e delle vicende della pittura in Padova ), by Giannantonio Moschini, Tipografia Crescini, Padua (1826), page 107.〕 He also played some role as a mentor to a pupil of Pasinelli and Sirani (though unclear father or daughter Elisabetta), Teresa Muratori Scannabecchi, and his Giovanni Gioseffo's granddaughter Francesca Fantoni.

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